| Best Adapted Screenplay |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| PICTURE |
DIRECTOR |
ACTOR |
ACTRESS |
SUP. ACTOR |
TECH |
STAND-ALONE |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| SUP. ACTRESS |
ORIGINAL S'PLAY |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE FIVE FRONTRUNNERS: FINAL UPDATE FEBRUARY 2 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE WINNER: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ABOUT A BOY PAUL & CHRIS WEITZ, PETER HEDGES |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ADAPTATION CHARLIE & DONALD KAUFMAN |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| CHICAGO BILL CONDON |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE PIANIST RONALD HARWOOD |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE HOURS DAVID HARE |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| FOR IT: |
FOR IT: |
FOR IT: |
FOR IT: |
FOR IT: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Some are calling it one of the best adapted screenplays of all time. It's being singled out as the film's strongest trait. |
The witty stage satire was brought to the big screen with its perfect cynicism intact. |
Its powerful subtlety was almost universally praised. It scored unexpectly well with the major critics groups. |
A surprise Writers Guild nom indicates that there was indeed support for this comedy after all. Will it go all the way? |
The most literary script of the bunch, it deflty weaves through time, spanning the minds of 3 conflicted women. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| If Oscar voters are going to reward a comedy, it's going to be the more critically popular "Adaptation." |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE LOWDOWN: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| "The Pianist" claims victory over predicted winner "The Hours." The dialogue-sparse Holocaust drama comes from behind -- no Golden Globe win or even Writers Guild nomination -- to surpass "The Hours" and "Adaptation" in the home stretch. "Adaptation" scribe Charlie Kaufman will hopefully have a chance at next year's show for "Eternal Sunshine of the Spotless Mind," which comes out in the fall and stars Jim Carrey, Kate Winslet, and Mark Ruffalo. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| DIDN'T MAKE THE CUT THIS YEAR: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ABOUT SCHMIDT JIM TAYLOR & ALEXANDER PAYNE It's a Golden Globe-winning script that should touch the hearts of older voters who can identify with Jack. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE TWO TOWERS FRAN WALSH, PETER JACKSON, PHILIPPA BOYENS, STEPHEN SINCLAIR The "Lord of the Rings" group may not sneak in here even if the pic scores. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 25TH HOUR DAVID BENIOFF If there's one place where Oscar voters will recognize a Spike Lee film, it'll be in the screenplay category. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| CONFESSIONS OF A DANGEROUS MIND CHARLIE KAUFMAN Could Kaufman score two noms in the same category this year? Unlikely. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE QUIET AMERICAN CHRISTOPHER HAMPTON, ROBERT SCHENKKAN A sudden surge by this Miramax drama bodes well. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| CATCH ME IF YOU CAN JEFF NATHANSON Prior work doesn't indicate Oscar-caliber material. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ROAD TO PERDITION DAVID SELF It was damp, moody, and had sparse dialogue, but it did develop the characters well. |
INSOMNIA HILARY SEITZ The film drew raves upon its release and had good box office; will it perform like Pacino's 1999 "The Insider"? |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ORIGINAL PREDIX 4/12/02... HOURS - ADAPTATION* - PERDITION - GANGS - CAT'S MEOW LABOR DAY PREDIX 8/25/02... HOURS - ADAPTATION - SCHMIDT* - GANGS - GREEK WEDDING EARLY SEPT. PREDIX 9/3/02... HOURS - ADAPTATION - SCHMIDT* - GANGS - GREEK WEDDING LATE SEPT. PREDIX 9/19/02... PERDITION - ADAPTATION - SCHMIDT* - GANGS - GREEK WEDDING EARLY OCT. PREDIX 10/6/02... PERDITION - ADAPTATION - SCHMIDT* - GANGS - GREEK WEDDING HALLOWEEN PREDIX 10/31/02... PERDITION - ADAPTATION - SCHMIDT* - CHICAGO - GREEK WEDDING NOVEMBER PREDIX 11/18/02... PERDITION - ADAPTATION* - SCHMIDT - CHICAGO - GANGS EARLY DEC. PREDIX 12/6/02... PERDITION - ADAPTATION* - SCHMIDT - HOURS - GREEK WEDDING LATE DEC. PREDIX 12/19/02... CHICAGO - ADAPTATION* - SCHMIDT - HOURS - PIANIST EARLY JAN PREDIX 1/7/03... CHICAGO - ADAPTATION* - SCHMIDT - HOURS - PIANIST LATE JAN PREDIX 1/20/03... CHICAGO - ADAPTATION* - SCHMIDT - HOURS - PIANIST FINAL PREDIX 2/2/03... CHICAGO - ADAPTATION* - SCHMIDT - HOURS - PIANIST |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Quirky screenplays -- like last year's brilliant "Memento" -- have been overlooked for the award in the past. |
| AGAINST IT: |
| But is the writing its strongest element? Bob Fosse nearly perfected the material himself in 1975. |
| AGAINST IT: |
| Large portions of the film are essentially nonverbal; it's Brody's performance that holds the picture together. |
| AGAINST IT: |
| AGAINST IT: |
| The script is talky, and could be hit-or-miss with voters. They'll really have to love "The Hours" to give this the win. |
| AGAINST IT: |
