| Grade: A- |
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| by ANTHONY KUSICH |
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| Steven Spielberg has distilled all that contemporary America fears into one thrilling, bone-chilling film that is hands-down the best of the summer. The picture is like an extended trip down the last four years of history, complete with far-off villains, wanton destruction, and a lack of clear political goals. Unlike the benign aliens of "Close Encounters" and "E.T.," the "tripods" of "War of the Worlds" have no purpose but total and complete annihilation. If there's a better metaphor for modern terrorism, I can't find it. They aren't willing to negotiate, they didn't come for a truce, they aren't after our natural resources, and they don't think twice before killing. (Sound familiar?) They're also the ultimate sleeper cells: In one of the pic's most thought-provoking plot elements, it becomes clear that the aliens had been planning their invasion for hundreds, perhaps millions of years. Pods had evidently been planted deep in the ground some time ago, and only now are the extra-terrestrial pilots descending from space to man them and wreak havoc on the planet. But what's utterly disturbing about the pic aside from the alien contingent is the lightning-fast breakdown of society. In about six hours, suburban New Jersey goes from, well, suburban New Jersey into an every-man-for-himself frenzy in which it is literally fatal to merely trust the word of your fellow neighbor. A mob attacks Cruise and the kids to steal their car, and before you know it guns are drawn and a riot ensues. The protagonists' scrambling from house to house, along deserted roads, and through demolished towns seems to turn the clock back on civilization a few hundred critical years. And unlike the President's recent press conference, Spielberg manages to slip in many appropriate 9/11 references. Survivors fleeing across bridges on foot, bulletin boards with missing person postings, city crowds trampling each other in a mad rush to avoid death -- the correlation was mighty clear. Hell, even Dakota Fanning repeatedly asks Tom Cruise, "Is it the terrorists?" America's #1 enemy has apparently given the characters a primer in how to react to mindless destruction. And for once, what makes a movie so imminently terrifying is its lack of explanation. It is never delineated why the visitors' destruction is so total, why exactly they chose this specific time to attack, or why they spray the countryside with redigested human guts. That we will never have access to their plans is all the more unnerving. A minor caveat is the usual Spielberg pap about fathers and sons reconnecting that, fortunately, doesn't take too much screen time away from the aliens. And without giving away anything specific, the pic's coda is slightly more upbeat than the rest of the storyline would have you believe. Nonetheless, "War of the Worlds" is terrific picture worthy of discussion and analysis that you just don't expect from the average summer popcorn flick. Then again, when has Steven Spielberg delivered the average summer popcorn flick? |
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