| Best Supporting Actor |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Email this site |
Main Page |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| PICTURE |
DIRECTOR |
ACTOR |
ACTRESS |
SUP. ACTRESS |
ORIGINAL S'PLAY |
ADAPTED S'PLAY |
TECH |
STAND-ALONE |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE FIVE NOMINEES: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE WINNER: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| JOHN C. REILLY "CHICAGO" |
PAUL NEWMAN "ROAD TO PERDITION" |
ED HARRIS "THE HOURS" |
CHRISTOPHER WALKEN "CATCH ME IF YOU CAN" |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| In the singular most acclaimed supporting performance of the year, he deftly mixes screwy with serious. |
He's a legend who continues to excel in different roles. This is one of DreamWorks' few pushes that went through. |
Long overdue for an Oscar, he gave another gut-wrenching performance. |
Oscar seems to gravitate toward older winners being recognized again late in their careers (like Jon Voight in "Ali" last year). |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| What a year. Aside from "Chicago," he had acclaimed turns in "The Good Girl," "The Hours" and "Gangs." |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| His screen time is nearly nil. There also might be resentment that he stole Dennis Quaid's slot. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
![]() |
![]() |
![]() |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| THE LOWDOWN: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Chris Cooper wins as predicted. The late surge by Christopher Walken wasn't enough to outpace the "Adaptation" star's lead, and points to the uselessness of the SAG awards in estimating Oscar winners. Cooper's speech was very heartfelt and simple, and he was by far the most humble winner of the evening. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| DIDN'T MAKE THE CUT THIS YEAR: |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| DENNIS QUAID "FAR FROM HEAVEN" He had a great year, and received some career-best reviews. But the film lost a lot of steam. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| RAY LIOTTA "NARC" Buzz sprung from nowhere for this corrupt cop flick, and it could snag a crucial nod. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ALFRED MOLINA "FRIDA" He didn't get the Globe nom, but still turned in a memorable performance. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| DENNIS HAYSBERT "FAR FROM HEAVEN" He truly was the emotional center of the film, and justice would see him with a nom. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| JEFF GOLBLUM "IGBY GOES DOWN" This could be the year of comebacks and longtime career recognition. |
JUDE LAW "ROAD TO PERDITION" Law pulled off a memorable turn in an extremely strange role; hopefully Newman/Hanks won't get all the glory. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ROBIN WILLIAMS "INSOMNIA" He was the perfect foil for Pacino's conflicted cop; it'll be easier for him to sneak in here. |
CHRISTOPHER PLUMMER "NICHOLAS NICKLEBY" Plummer is another potential nominee snubbed recently in the past (for "The Insider"). Good reviews necessary. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| WILLEM DAFOE "AUTO FOCUS" His extremely weird role choices have yielded mighty interesting performances. Can he score as an amateur pornographer? |
VIGGO MORTENSEN "THE TWO TOWERS" He clearly was a standout and audience-pleaser in the film. He needed a campaign that focused solely on him. |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| TOM HANKS "CATCH ME IF YOU CAN" After several leading noms (and wins) it might be odd to see him here. Also, Walken's getting all the buzz. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ORIGINAL PREDIX 4/12/02... MOLINA - HARRIS* - McKELLAN - LAW - IZZARD LABOR DAY PREDIX 8/25/02... MOLINA - HARRIS* - WILLIAMS - LAW - COOPER EALY SEPT. PREDIX 9/2/02... MOLINA - HARRIS* - WILLIAMS - LAW - COOPER LATE SEPT. PREDIX 9/19/02... MOLINA - HARRIS* - WILLIAMS - GOLDBLUM - COOPER EARLY OCT. PREDIX 10/6/02... MOLINA - HARRIS* - NEWMAN - QUAID - COOPER HALLOWEEN PREDIX 10/31/02... MOLINA - HARRIS* - NEWMAN - QUAID - COOPER NOVEMBER PREDIX 11/18/02... MOLINA - HARRIS* - NEWMAN - QUAID - COOPER EARLY DEC. PREDIX 12/6/02... LIOTTA - HARRIS - NEWMAN - QUAID - COOPER* LATE DEC. PREDIX 12/19/02... LIOTTA - HARRIS - NEWMAN - QUAID - COOPER* EARLY JAN. PREDIX 1/7/03... WALKEN - HARRIS - NEWMAN - QUAID - COOPER* LATE JAN. PREDIX 1/20/03... WALKEN - HARRIS - NEWMAN - QUAID - COOPER* FINAL PREDIX 2/2/03... WALKEN - HARRIS - NEWMAN - QUAID - COOPER* |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| CHRIS COOPER "ADAPTATION" |
| FOR HIM: |
| AGAINST HIM: |
| Support for "Adaptation" definitely seems weaker without a Best Picture nomination. Is the performance too odd? |
| FOR HIM: |
| AGAINST HIM: |
| His 'career' Oscar was dealt in 1986. There's no need to validate him again, considering the competition. |
| FOR HIM: |
| AGAINST HIM: |
| His relatively small amount of screen time could offset strict voters, but tinier roles have won. |
| FOR HIM: |
| AGAINST HIM: |
| Walken's performance was touching, but would anyone really call it one of the best of the year? Plus, he's won already. |
| FOR HIM: |
| AGAINST HIM: |
