| THE FIVE NOMINEES |
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| 1/25/05 |
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| CATE BLANCHETT |
VIRGINIA MADSEN |
NATALIE PORTMAN |
LAURA LINNEY |
SOPHIE OKONEDO |
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| KINSEY |
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| FOR HER |
FOR HER |
FOR HER |
FOR HER |
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| Blanchett's take on Hepburn is more than an impersonation; she gets inside the skin of the woman in funny, touching scenes. |
Instead of being scattered among a few names, nearly every critics' award went her way. AMPAS loves re-discovering someone. |
Her surprise victory at the Golden Globes puts her back in the race. Younger actresses can sometimes claim wins in this category. |
Despite the drop in buzz for "Kinsey" her name has remained a constant. It's a very Oscary role -- crying, yelling, domestic strife. |
She plays off Don Cheadle perfectly and lovingly in this socially important film. Oscar often invites newbies to the big kids' table. |
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| AGAINST HER |
AGAINST HER |
AGAINST HER |
AGAINST HER |
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| Voters may be wary of giving so many Oscars this year to actors playing real people. Are they honoring Blanchett or Hepburn? |
Compared to competitors like Laura Linney and Cate Blanchett, she doesn't have that much screen time. It's very "supporting." |
Her competition has been favored by the critics. She doesn't "deserve it" as much as someone like Blanchett. |
The lack of overall love for the film may doom her chances. Voters tend to side with the frontrunners -- like "Aviator" and "Sideways." |
Her name is certainly not known at the level of the competition. This recognition should be used as a career-starter. |
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| 6. 7. 8. 9. 10. 11. 12. |
KATE WINSLET, Finding Neverland I guess voters felt one nod was enough this year. MERYL STREEP, The Manchurian Candidate Chewed ice. Chewed scenery. Chewed Portman. No Oscar. CLORIS LEACHMAN, Spanglish It was unlikely that anything from "Spanglish" would make it. SHARON WARREN, Ray Her performance was singled out, but she got lost in the mix. MINNIE DRIVER, Phantom of the Opera When a film tanks overall, it's tough to wade out. REGINA KING, Ray She was great, but there was a vote-splitting problem here. MAIA MORGENSTERN, The Passion of the Christ Oscar avoided making "political" choices like this in '05. |
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| MARCH 8 |
DAVIS |
DERN |
MORGENSTERN |
BLANCHETT |
CLARKSON |
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| APRIL 26 |
DAVIS |
DERN |
SPACEK |
BLANCHETT |
CLARKSON |
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| JULY 30 |
DAVIS |
TOMLIN |
STREEP |
BLANCHETT |
LINNEY |
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| SEPT 20 |
DAVIS |
TOMLIN |
STREEP |
BLANCHETT |
LINNEY |
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| OCT 16 |
MADSEN |
TOMLIN |
STREEP |
BLANCHETT |
LINNEY |
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| NOV 9 |
MADSEN |
PORTMAN |
KING |
BLANCHETT |
LINNEY |
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| DEC 4 |
MADSEN |
PORTMAN |
KING |
BLANCHETT |
LINNEY |
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| DEC 18 |
MADSEN |
PORTMAN |
WINSLET |
BLANCHETT |
LINNEY |
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| JAN 17 |
MADSEN |
PORTMAN |
WINSLET |
BLANCHETT |
LINNEY |
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| HOTEL RWANDA |
| FOR HER |

| CLOSER |
| SIDEWAYS |

| AGAINST HER |
| The other contenders... |

| 1 |
| 2 |
| 4 |
| 3 |
| 5 |
| Keeping Track: |
| THE AVIATOR |