The Big Wrap-Up
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FIVE MOMENTS TO REMEMBER
5.  SEAN PENN
Though surprisingly curt and gracious, he still managed to slip in a WMD comment while remembering to thank
a smallish number of people (without a notecard, no less!).  It's almost forgiveable that Bill Murray didn't win
and give a speech.  Almost.
3.  ODE TO THE SLOW
Will Ferrell (who we knew would be funny) and Jack Black (who we were all crossing our fingers for)
managed to inject some much-needed mania into the proceedings with their loving tribute to Oscar winners who
go over the allotted acceptance speech time.
1.  A KISS AT THE END OF THE RAINBOW
The show's true highlight was "Mitch and Mickey" performing their trademark ballad.  Staying completely in
character throughout the ditty -- including that kiss -- Eugene Levy brought the house down by merely
acknowledging a nonexistent drummer.
FIVE MOMENTS TO FORGET
5.  THE LACK OF SPONTANEITY
Robin Williams' near-drunken (?) yet hilarious ravings aside, the show lacked a pulse.  Perhaps due to the
subconscious effect of living in a post-Boobgate world, there was a complete lack of original humor,
off-the-cuff shenanigans, or surprises of any kind.
3.  THE SWEEP
Though I agree that "The Return of the King" is marvelous film and a terrific trilogy-closer, it's always
disheartening when one film conquers all.  I mean, was Howard Shore's score really worth rewarding in light of
the fact that he won in the category for 2001?  (No hate mail, please!)
2.  THE FORETOLD CONCLUSIONS
It was gonna be a tight race between Sean Penn, Bill Murray, and Johnny Depp.  Who'll take it, Renee Zellweger
or Shohreh Aghdashloo?  Is there a chance that Sofia Coppola or Clint Eastwood could swipe Peter Jackson's
Best Director statue?  In the end, everyone who we thought would win pretty much did.
BEST PICTURE
"Seabiscuit"
"Mystic River"
"Master & Commander"
"Lost in Translation"
"The Return of the King"
HOW DID I DO?
BEST DIRECTOR
Sofia Coppola, "Lost in Translation"
Clint Eastwood, "Mystic River"
Peter Weir, "Master & Commander"
Fernando Meirelles, "City of God"
Peter Jackson, "The Return of the King"
HOW DID I DO?
BEST ACTOR
Bill Murray, "Lost in Translation"
Sean Penn, "Mystic River"
Johnny Depp, "Pirates of the Caribbean"
Jude Law, "Cold Mountain"
Ben Kinglsey, "House of Sand & Fog"
HOW DID I DO?
BEST ACTRESS
Charlize Theron, "Monster"
Diane Keaton, "Something's Gotta Give"
Samantha Morton, "In America"
Naomi Watts, "21 Grams"
Keisha Castle-Hughes, "Whale Rider"
HOW DID I DO?
SUPPORTING ACTOR
Benicio Del Toro, "21 Grams"
Alec Baldwin, "The Cooler"
Djimon Hounsou, "In America"
Ken Watanabe, "The Last Samurai"
Tim Robbins, "Mystic River"
HOW DID I DO?
SUPPORTING ACTRESS
Holly Hunter, "Thirteen"
Shohreh Aghdashloo, "House of Sand & Fog"
Patricia Clarkson, "Pieces of April"
Renee Zellweger, "Cold Mountain"
Marcia Gay Harden, "Mystic River"
HOW DID I DO?
ORIGINAL SCREENPLAY
"In America"
"Lost in Translation"
"Finding Nemo"
"Dirty Pretty Things"
"The Barbarian Invasions"
HOW DID I DO?
ADAPTED SCREENPLAY
"The Return of the King"
"American Splendor"
"City of God"
"Seabiscuit"
"Mystic River"
HOW DID I DO?
BEST SOUND EDITING
ANIMATED FEATURE
"Nemo" wins as expected, although "The
Triplets of Belleville" was almost as
deserving.
The deft skill of mixing boat ambience
with gunfire secured this award for
"Master & Commander" like I thought.
BEST CINEMATOGRAPHY
BEST EDITING
Eduardo Serra, "Girl With a Pearl Earring"
Cesar Charlone, "City of God"
John Seale, "Cold Mountain"
John Schwartzman, "Seabiscuit"
Russell Boyd, "Master & Commander"
BEST COSTUME DESIGN
BEST SONG
D. Van Straalen, "Girl With a Pearl Earring"
Judianna Makovsky, "Seabiscuit"
Ngila Dickson, "The Return of the King"
Ngila Dickson, "The Last Samurai"
Wendy Stites, "Master & Commander"
BEST FOREIGN FILM
DOCUMENTARY FEATURE
Sweden, "Evil"
Canada, "The Barbarian Invasions"
The Netherlands, "Twin Sisters"
Czech Republic, "Zelary"
Japan, "The Twilight Samurai"
"Capturing the Friedmans"
"The Weather Underground"
"The Fog of War"
"Balseros"
"My Architect"
Since none of the other contenders are in
theaters, I rightly assumed that "The
Barbarian Invasions" would win.
Although I favored "Friedmans"
personally, I stated that "Fog" would claim
victory -- and it did.
VISUAL EFFECTS
BEST MAKEUP
"Rings" went three for three in the FX
categories, taking gold for 2001 and 2002
as well.  I predicted as much.
Though I thought "Pirates" would win at
least one award, it was not to be --
"Return" nabbed this.
BEST SCORE
PRODUCTION DESIGN
"The Return of the King"
"The Last Samurai"
"Seabiscuit"
"Girl With a Pearl Earring"
"Master & Commander"
I guessed this part of the "Return of the
King" sweep correctly; the design team
deserved it.
BEST SOUND MIXING
ANIMATED SHORT
"Destino"
"Boundin"
"Gone Nutty"
"Harvie Krumpet"
"Nibbles"
"Master & Commander" didn't take this
like I predicted.  Instead -- you guessed it!
-- "The Return of the King."
It was a minor shock that favorite
"Destino" (my pick) lost out to the
claymation "Harvie Krumpet."
DOCUMENTARY SHORT
SHORT FILM
"Asylum"
"Chernobyl Heart"
"Ferry Tales"
"The Red Jacket"
"Most (The Bridge)"
"Squash"
"(A) Torsion"
"Two Soldiers"
THE LOWDOWN
I hadn't seen any of these, but I rightly
assumed that the emotionally heavy
"Chernobyl Heart" would win.
With absolutely no clue, I wrongly
selected "Most (The Bridge)."  Instead,
"Two Soldiers" proved victorious.
ACTUAL (PREDICTED) WINS BY FILM*

THE RETURN OF THE KING -- 11 (6)
MYSTIC RIVER -- 2 (2)
MASTER & COMMANDER -- 2 (2)
COLD MOUNTAIN -- 1 (1)
MONSTER -- 1 (1)
HOUSE OF SAND & FOG -- 1 (0)
LOST IN TRANSLATION -- 1 (1)
AMERICAN SPLENDOR -- 0 (1)
FINDING NEMO -- 1 (1)
GIRL WITH A PEARL EARRING -- 0 (1)
CITY OF GOD -- 0 (1)
THE BARBARIAN INVASIONS -- 1 (1)
THE FOG OF WAR -- 1 (1)
PIRATES OF THE CARIBBEAN -- 0 (1)
DESTINO -- 0 (1)
CHERNOBYL HEART -- 1 (1)
MOST (THE BRIDGE) -- 0 (1)
TWO SOLDIERS -- 1 (0)
HARVIE KRUMPET -- 1 (0)

*
Like I originally thought, few films were able
to take home more than one win, while "The
Return of the King" took home all of its 11!


The Best, The Worst, The Rundown
Jamie Selkirk, "The Return of the King"
William Goldenberg, "Seabiscuit"
Daniel Rezende, "City of God"
Lee Smith, "Master & Commander"
Walter Murch, "Cold Mountain"
"Master & Commander"
"Pirates of the Caribbean"
"The Return of the King"
James Horner, "House of Sand & Fog"
Howard Shore, "The Return of the King"
Gabriel Yared, "Cold Mountain"
Danny Elfman, "Big Fish"
Thomas Newman, "Finding Nemo"
"You Will Be My Ain True Love" ("Cold Mountain")
"Into the West" ("The Return of the King")
"Scarlet Tide" ("Cold Mountain")
"Belleville Rendez-Vous" ("The Triplets of Belleville")
"Kiss at the End of the Rainbow" ("A Mighty Wind")
"Master & Commander"
"The Return of the King"
"Pirates of the Caribbean"
"Seabiscuit"
"Master & Commander"
"The Return of the King"
"The Last Samurai"
"Pirates of the Caribbean"
"Finding Nemo"
"Pirates of the Caribbean"
"Master & Commander"
"The Triplets of Belleville"
"Finding Nemo"
"Brother Bear"
In contrast to the 17 out of 24 I got last year, I only managed a meager 15 out of 24
(63%) this time around.  Below are 5 memorable events from the Big Night, 5
disappointments, and a few words about each of the winners.  Let's do this...
This was a no-brainer, and everyone should've guessed it correctly.  (I did.)  "The Return of the King"
now enters the record books tied with "Titanic" and "Ben-Hur" as one of the winningest films ever, with
a phenomenal 11 Oscars.
This year, no one deserved it more.  Overcoming the Academy biases against sequels, fantasy films, and
youth-oriented fare, Jackson fashioned a classical epic told over three amazing chapters -- with the
crowning achievement giving him the gold like I, and most, had foretold.
When you've won the Golden Globe, the SAG, and over a half-dozen critics' awards, you're not really
gonna leave the Kodak without your Oscar.  Like I predicted, deserving winner Charlize Theron swiped
the gold.
I correctly surmised that Oscar loves its drama and wasn't really going to go out on a limb to reward a
maverick comedic performance (Depp) or a nuanced mixture of both (Murray).  There's always hope
next year -- Depp has "J.M. Barrie's Neverland" and Murray has "The Life Aquatic."
Tim Robbins won this just like I predicted.  Now he and Susan Sarandon have his-and-hers acting
Oscars to bookend their mantle.  This got the ball rolling on the acting winners that everyone saw
coming a mile away.
We all know how I feel about this obnoxious win; although I chose Aghdashloo, voters were duped into
selecting Zellweger.  For more information on the marketing powers of the Weinsteins, check out a
decent book I'm in the middle of, "Dirty Words and Pictures."
"Lost in Translation" won as expected.  It was generally a weak year for this category, with a couple of
the nominees coming out of nowhere to snag nods -- although Sofia Coppola's eventual victory was
never in doubt.
I chose "American Splendor," the Academy gave it to "The Return of the King."  Miraculously, the final
"Rings" film won in each of the 11 categories it was nominated in.  This race was the one where I was
least sure it would take home the prize.
THE LOWDOWN
Respectably, Oscar chose "Master &
Commander" over my vote for "Girl With
a Pearl Earring."
Nobody threw "City of God" a bone,
leaving my predicted winenr to sit it out
for a "King" win.
In the battle of Ngila vs. Ngila, I bet her
"Return of the King" duds would
(correctly) take the prize.
Annie Lennox gracefully performed and
accepted her Oscar.  This was a pretty
easy guess.
"Cold Mountain," my favorite, lost to the
returning "Lord of the Rings" champ -- a
repeat performance (he won for '01).
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
THE LOWDOWN
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THE LOWDOWN
THE LOWDOWN
X
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4.  THE BINACA
While Charlize Theron didn't take the bait, Adrien Brody offered up one of the dull night's rather spontaneous
moments by spritzing his bad breath in a nod to his 2003 make-out with Halle Berry.  He should've spritzed
someone in the control room.
2.  ERROL MORRIS
He may not have deserved to win this year, but Morris did acknowledge a few truths -- that he was winning the
Oscar because of his entire library of work, and that the country may be sliding down another rabbit hole.  The
most composed victor of the night..
4.  FRAN'S FOLLY
When the co-creator of one of cinema's grandest epics walks up to the mic to say her thanks, the
cut-to-commercial music should not blast on.  Yet that's the situation that "The Return's of the King's" Fran
Walsh found herself in after daring to let one of her co-winners speak first.
1.  RENEE ZELLWEGER, OSCAR WINNER
After seeing the clips for each Best Supporting Actress nominee, it was clear to me (and should've been to
everyone at the Kodak) that they gave an Oscar to the
least-deserving contender, not the most worthy.  
Heartbreaking Shohreh?  Evocative Holly?  Hilarious Patricia?  Anguished Marcia?  Yet clowny Renee wins.